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Welcome to Monoskop, a wiki for the arts, media and humanities.
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星星加速器官方-雷霆加器速
Artists' publishing
Anthropocene
Decolonial aesthetics
Shadow libraries
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Cyberfeminism
Neural aesthetics
Women in concrete, visual and sound poetry
Performance art
Exhibition Library
Modern and contemporary art
Avant-garde and modernist magazines
Ideographies of Knowledge
Software art and Software studies
Expanded cinema
Trisha Brown
Conceptual literature
Architecture
Neoism
Donna Haraway
Gustav Metzger
Sound art
Noise
Cultural techniques
Cybernetics
Friedrich Kittler
Design research
Constructivism
El Lissitzky
Russian avant-garde
BAUHAUS
Cubism
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Experimental film
Dziga Vertov
Monoskop Index
星星加速器官方-雷霆加器速
Alan Read (ed.): The Fact of Blackness: Frantz Fanon and Visual Representation (1996)
“Creating a far-reaching and original dialogue between cultural theory and visual practice, the rich insights which emerge from this publication explain why Frantz Fanon’s seminal texts of the 1950s and 60s – Black Skin, White Masks and The Wretched of the Earth – have re-emerged at the forefront of postcolonial studies.
This collection of texts and dialogues work with Fanon’s ideas in understanding how narrative, the media, image, and symbol lie at the very heart of the practice of politics and social knowledge.
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Contributors: Martina Attille, Homi K. Bhabha, Renée Green, Stuart Hall, Lyle Ashton Harris, bell hooks, Isaac Julien, Marc Latamie, Steve McQueen, Kobena Mercer, Mark Nash, Raoul Peck, Alan Read, Ntozake Shange, Gilane Tawadros, Françoise Vergès, Lola Young.
Publisher ICA, London, in association with Iniva, London, and Bay Press, Seattle, 1996
ISBN 1900300028, 9781900300025
211 pagesReviews: David Macey (Radical Philosophy, 1997), Julian Samuel (Race & Class, 1997), D. Soyini Madison (Signs, 1999).
Publisher
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John Beck, Ryan Bishop: Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde (2024)
“In Technocrats of the Imagination John Beck and Ryan Bishop explore the collaborations between the American avant-garde art world and the military-industrial complex during the 1960s, in which artists worked with scientists and engineers in universities, private labs, and museums. For artists, designers, and educators working with the likes of Bell Labs, the RAND Corporation, and the Los Angeles County Museum of Art, experiments in art and technology presaged not only a new aesthetic but a new utopian social order based on collective experimentation. In examining these projects’ promises and pitfalls and how they have inspired a new generation of collaborative labs populated by artists, engineers, and scientists, Beck and Bishop reveal the connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s.”
Publisher Duke University Press, Durham, 2024
Cultural Politics series
ISBN 9781478005957, 1478005955
viii+229 pagesReview: Lindsay Caplan (Art in America, 2024).
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WorldCatPDF
There Is No Outside: Covid-19 Dispatches (2024)
“A collection of essays on the global pandemic, from n+1 and Verso Books
A collaboration between the magazine of literature and politics, n+1, and Verso Books, this collection tracks the course of Covid-19 across the circuits of global capital to New York’s prisons and emergency rooms, Los Angeles’s homeless encampments, and the migrant camps in Greece; and into the intimate spaces of our homes, our ideas of how to live, and into our bodies and cells.
We hear from sex workers without work and sailors quarantined on their ships, witness the pandemic from the quiet devastation of upstate New York and quarantined Rome as well as the streets of Delhi, Kashmir, and London and the emergency room of a New York City hospital. From some of the most exciting and thoughtful young writers around the globe, There Is No Outside explores the unspooling wreckage of Covid-19 and helps us imagine what might come in the aftermath.
With contributions from Andrew Liu, Rachel Ossip, Gabriel Winant, Francesco Pacifico, Sarah Resnick, Teresa Thornhill, Shigraf Zahbi, Debjani Bhattacharyya, Banu Subramaniam, Mark Krotov, Karim Sariahmed, Ana Cecilia Alvarez, Jack Norton, Laleh Khalili, Aaron Timms, Sonya Aragon, Sean Cooper, Chloe Aridjis, and Marco Roth, and with an introduction by Jessie Kindig.”
Edited by Jessie Kindig, Mark Krotov, and Marco Roth
Publisher Verso, London, and n+1 Books, Brooklyn, NY, May 2024
ISBN 9781839762307, 1839762306Publisher
Publisher
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Boris Arvatov: Art and Production (1926–) [Russian, English]
“Boris Arvatov‘s Art and Production is a classic of the early Soviet avant-garde. Now nearing a century since its first publication, it is a crucial intervention for those seeking to understand the social dynamic of art and revolution during the period.
Derived from the internal struggles of Soviet Constructivism, as it confronted the massive problems of cultural transformation after ‘War Communism’, Arvatov’s writing is a major force in the split that occurred in the revolutionary horizons of Constructivism in the early 1920s. Critical of early Constructivism’s social-aesthetic process of art’s transformation of daily life – epitomised in studio-based painting, photography and object making – Arvatov polemicises for the devolution of artistic skills directly into the relations of production and the factory.
Whilst acknowledging the problems of a pure factory-based Productivism, Arvatov remains overwhelmingly committed to a new role and function for art outside the conventional studio and traditional gallery. Addressing issues such as artistic labour and productive labour, the artist as technician, art and multidisciplinarity and a life for art beyond ‘art’ – finding new relevance amidst the extensive social turn of contemporary participatory art – Art and Production offers a timely and compelling manifesto.”
Publisher Proletkult, Moscow, 1926
132 pagesEnglish edition
Edited by John Roberts and Alexei Penzin
Introduction by John Roberts
Afterword by Alexei Penzin
Translated by Shushan Avagyan
Publisher Pluto Press, London, 2017
ISBN 9780745337364, 0745337368
160 pagesReviews: Celluloid Liberation Front (Brooklyn Rail, 2017), Noel Halifax (Socialist Review, 2018).
在国内怎么翻国外app (EN)
WorldCat (EN)Iskusstvo i proizvodstvo (Russian, 1926, 45 MB)
Art and Production (English, 2017, EPUB)
Martha Rosler: Positions in the Life World (1999)
“Since the late 1960s, artist Martha Rosler has produced seminal works in the fields of photography, performance, video, installation, critical writing, and theory. Committed to an art that engages a public beyond the confines of the art world, Rosler investigates how socioeconomic realities and political ideologies dominate ordinary life. Her astute critical analyses are often cloaked in deadpan wit.
This book, which accompanies the first retrospective exhibition of Rosler’s work, contains seven color photo essays by Rosler; an excerpt from the curatorial project “If You Lived Here”; essays by Alexander Alberro, Catherine de Zegher, Sylvia Eiblmayr, Jodi Hauptman, and Annette Michelson; a conversation between Rosler and Benjamin Buchloh; and a biography/bibliography along with a complete list of art works.”
Edited by Catherine de Zegher
Publisher Ikon Gallery, Birmingham, and Generali Foundation, Vienna, 1999
ISBN 026204174X, 9780262041744
294 pagesReviews: Blake Stimson (CAA, 2000), Ben Highmore (Art History, 2001).
Exh. reviews: Christian Kravagna (Artforum, 1999), Alison Rowley (n.paradoxa, 2001).Exhibition (Generali, Vienna, 1999)
Exhibition (MACBA, Barcelona, 1999)
Exhibition (New Museum, NYC, 2000)
Distributor
WorldCatPDF (126 MB)
